Epoxy Clear Casting Resin for Jewellery & Decorative Casting

Rarely in practice — most jewellery and small decorative moulds are well under 30 mm deep, so the depth limit that matters for larger work like river tables is not usually a constraint here.

Pour slowly from a slight height rather than dumping resin into the mould, then pass a heat gun or small torch briefly over the surface to release any bubbles that rise. For detailed or multi-layer pieces, pouring in small increments and checking for bubbles between pours gives more control than a single full pour.

Yes. A common technique is pouring a thin base layer, letting it gel slightly, placing the object, then covering it with a second pour — this holds the object in position rather than letting it float to the surface.

It uses a UV-stabilised formulation that resists yellowing significantly better than a standard, unstabilised epoxy. No clear epoxy is permanently immune to gradual colour change under prolonged, intense UV exposure, so pieces worn or displayed in direct sun for years may still show some change.

The same way as a larger pour — resin and hardener are weighed on a scale at a 2:1 ratio by weight, not measured by volume or eyeballed, since accuracy matters as much for a small batch as a large one.

Both are 2:1 epoxy systems suited to small castings. Epoxy Clear Casting Resin is the more general-purpose casting choice; Epoxy Art Resin is formulated specifically for self-levelling flatness, which matters less in a contained silicone mould than it does on an open table-top surface.